British manufacturing is getting renewed attention — from heritage textiles to new interest in local production. Vogue and Marie Claire both highlighted this shift recently, pointing to a future where provenance, transparency and craft become central to luxury.
But for many early-stage designers, the experience behind the scenes feels very different.
As I develop PINTO HERVIA, one challenge has become clear:
finding a UK factory willing to take on small runs is still incredibly difficult.
Minimums are often too high.
Pricing can be unclear.
And many makers simply don’t have capacity to take on new brands.
This isn’t about blame.
Factories operate under real pressure. Many are stretched thin and understandably prioritise larger, steady accounts.
But it reveals a gap between the industry’s aspiration and a designer’s reality.
If British manufacturing is going to rebuild its strength, it needs to make space for emerging brands — not only established ones.
Small orders grow into bigger orders.
Early partnerships become long-term relationships.
Supporting designers from the beginning strengthens the entire ecosystem.
At PINTO HERVIA, the goal remains simple:
to build thoughtfully, locally, and with respect for the craft that defines British fashion.
Reimagining how we support small-batch production isn’t only good for new designers — it’s essential for the future of British luxury.
